Can I just say how cool it was that both of these superheroines’ personalities and powers were explored in this episode? And how well it was done?
Starfire was not shamed for being emotional. Her powers come from her emotions.
Raven was not shamed for suppressing her emotions. Her power requires amazing control.
They both. Work. They are both different kinds of strength, and they are both heroic and powerful and good. And they each learned from the other, and helped each other out by seeing from each others’ perspective, and finding the value in their differing approaches! Wow!
Fuck yes, this is how you write super-ladies, okay. There’s more than one way to be a “strong female character.” There’s all different kinds of strength. Why don’t more people GET this?
(Source: titans-tower)
oh god.
We’re that bad, huh?
Neopets.
Did you do the thing, Neopets?
Tell me the truth, Neopets.
(Source: juicybugz)
I made a blag for sheps of color. You should follow. :3
If there’s one thing that most fans of Star Trek will agree on, it’s the fact that Gene Roddenberry’s vision for the show — and, more optimistically, for human society — was predicated on the idea that all life is valuable, and that the worth of a person should not be judged by their appearance. Much of this was done through the old sci-fi trope of using aliens to stand in for oppressed groups, but Star Trek didn’t rely on the metaphor; it had characters who were part of the ensemble, important and beloved members of the Enterprise crew, who were people of colour. It had background characters who were people of colour. And, here and there, it had anti-heroes and villains who were people of colour … one of whom, Khan Noonian Singh, became well-nigh iconic.
Image 1: “Who is your favorite villain?” ; Actor John Cho (Lt Sulu) answers.
Image 2: TOS Khan looking at a watercolor of himself. Yes, he’s wearing a dastar (Sikh turban)
Image 3: Cumberbatch and Montalbán (as Khan)
And who is now being played by white actor Benedict Cumberbatch in the new JJ Abrams reboot movie, Star Trek: Into Darkness.
We’re all cynical and jaded enough to know the standard dismissal when it comes to matters of media representation: Paramount Pictures and most film studios are not interested in diversity or visibility, they only care about the bottom dollar. Star Trek as a franchise is too much of a juggernaut to affect with boycotts. There are too many people who love it, who love those characters and that world, and will go to see the movie. And for some of these people, this devotion to the idea of a future where even South and East Asian men get to pilot a starship and love swashbuckling, where Black women make Lieutenant on the Enterprise and actually get the boy, will be trivialized and eroded and whitewashed when the most formidable and complex Star Trek baddie becomes a white man named Khan.
It wasn’t perfect in the 60s when Ricardo Montalbán was cast to play Khan (a character explicitly described in the episode script of Space Seed as being Sikh, from the Northern regions of India). But considering all of the barriers to representation that Roddenberry faced from the television networks, having a brown-skinned man play a brown character was a hard-won victory. It’s disappointing and demoralizing that with the commercial power of Star Trek in his hands, JJ Abrams chose not to honour the original spirit of the show, or the symbolic heft of the Khan character, but to wield the whitewash brush for … what? The hopes that casting Benedict Cumberbatch would draw in a few more box office returns? It’s doubly disappointing when you consider that Abrams was a creator of the television show Lost, which had so many well-rounded and beloved characters of colour in it.
Add to this the secrecy prior to release around Cumberbatch’s role in the film, and what seems like a casting move that would typically be defended by cries of “best actor for the job, not racism” becomes something more cunning, more malicious. Yes, the obfuscation creates intrigue around and interest in the role, but it also prevents advocacy groups like Racebending.com from building campaigns to protest the whitewashing. This happened with the character of the Mandarin in Iron Man 3, as well as ‘Miranda Tate’ in The Dark Knight Rises, who ended up being Talia al Ghul but played by French actress Marion Cotillard. This practice is well in effect in Hollywood; and after the negative press that was generated by angry anti-oppression activists and fans when Paramount had The Last Airbender in the works, studios are wising up. They don’t want their racist practices to be called out, pointed at, and exposed before their movies are released — Airbender proved that these protests create enough bad feeling to affect their bottom line.
So the studio has now found a way to keep it secret and underhanded. Racebending.com was there for most of the production of The Last Airbender, and were even able to correspond with Paramount Pictures about it. This time, for Star Trek: Into Darkness, their hiding and opaque practices has managed to silence media watchdogs until the movie’s premiere.
As I said, this racist whitewashing of the character of Khan won’t affect how much money this Trek movie makes. And I’m happy that the franchise is popular, still popular enough to warrant not only a big-budget reboot with fantastic actors but also a sequel with that cast. I’m happy that actors I enjoy like Zoë Saldaña and John Cho are playing characters who mean so much to me, and that they, in respect for the groundbreaking contributions by Nichelle Nichols and George Takei in these roles, have paid homage to that past.
But all of that will be marred by having my own skin edited out, rendered worthless and silent and invisible when a South Asian man is portrayed by Benedict Cumberbatch up on that screen. In the original Trek, Khan, with his brown skin, was an Übermensch, intellectually and physically perfect, possessed of such charisma and drive that despite his efforts to gain control of the Enterprise, Captain Kirk (and many of the other officers) felt admiration for him.
And that’s why the role has been taken away from actors of colour and given to a white man. Racebending.com has always pointed out that villains are generally played by people with darker skin, and that’s true … unless the villain is one with intelligence, depth, complexity. One who garners sympathy from the audience, or if not sympathy, then — as from Kirk — grudging admiration. What this new Trek movie tells us, what JJ Abrams is telling us, is that no brown-skinned man can accomplish all that. That only by having Khan played by a white actor can the audience engage with and feel for him, believe that he’s smart and capable and a match for our Enterprise crew.
What an enormous and horribly ironic step backwards. For Star Trek, for media representation, and for the vision of a future where we have transcended systemic, racist erasure.
(via RaceBending)
can we just
plan a whole spring vacation or something
around this place in particular
If you want to know where it is click the source link
I NEED TO GO TO THERE. OH GLOB GLOBBBBB. Look at it, would you guys just… look at it?
Josephine Baker, later known as ‘Bronze Venus’, ‘Black Pearl’ and ‘Créole Goddess’ was born in America in 1906 and later moved to France to become a singer, dancer, and actress. She was the first African-American woman to star in a major motion picture, and became famous worldwide.
Though she grew up as a maid in wealthy white households she eventually became an exotic dancer in France, famously appearing in next to no clothing, and became a French citizen in 1937.
Ernest Hemingway referred to Baker as ‘the most sensational woman anyone ever saw’ and she received approximately 1500 marriage proposals in her life time. She became a muse for Hemingway, F. Scott Fitzgerald, Pablo Picasso, and Christian Dior. She had a variety of exotic pets including a cheetah named Chiquita, a chimpanzee named Ethel, a pig named Albert, a snake named Kiki, a goat, a parrot, parakeets, fish, three cats, and seven dogs.
When WWII broke out, Baker became a volunteer spy for France, and assisted the French Resistance by smuggling messages written in invisible ink on sheet music. She made great efforts to aid those in danger of enemy attack, sent Christmas presents to French soldiers, and smuggled information she gathered in Spain back to France by pinning notes containing the information on the inside of her underwear. She was awarded the Medal of Resistance with Rosette and later named a Chevalier of the Legion of Honour.
Baker also aided many civil rights movements by refusing to perform to segregated audiences and storming out of a club in Manhattan with actress Grace Kelly after she was refused service. She worked with the NAACP and spoke at a Washington march alongside Martin Luther King Jr. as the only official female speaker. Baker was actually asked by Martin Luther King Jr.’s widow to take his place as leader of the American Civil Rights Movement, but Baker declined on the grounds her twelve adopted children ‘were too young to lose their mother’.
Baker died in 1975, four days after her final show, attended by such names as Mick Jagger, Shirley Bassey, and Liza Minnelli.
Oh and she was queer and had a relationship with Frida Kahlo. All around badass.
I’d like a movie about her life too, please.
you don’t know pain or agony until you’ve lost to the same boss fight more than 3 times
and then you have the unskippable cutscene dialogue memorized, so you start repeating it in a mocking, angry voice
(Source: xionsexual)
